![]() ![]() Why do they do it? Why do all those madrigals, Georgie Girls and club joiners, Stay after school? What do they get out of it? When the bell rings, Books slam, teachers sigh, The halls fill with people, Rushing to lockers, Buying goodies to eat, Watching the pep rally, Boarding long yellow limousines, Or, Getting together to work. Right: Conversation makes the tirne go faster while students await their bus. GCM Above: With pom-poms, kicks, and spirit, the Georgie Girls embellish Marshall’s pep song at an afternoon rally. ![]() Left: Stained glass ef- t made by an art student brightens arshall’s front window during the iristmas holidays. ove left: Donna McGeihan studiously omps on her pencil. Eloise ams looks through her appointments. George Felton, es an inquiring student, as Mrs. Opposite page, low: Senior Principal, Mr. ipos fe page, above: Jody Lannen gets rspective on herself while on a yearbook :ursion to Harper’s Ferry. Maybe the mark I’ve left Is my personal memory of the changes in me. What of the work I’ve done here? What about the projects that seemed so important at the time? Are the hours I have spent here Worth anything to me? When I have left Will I have changed anything? Maybe what I’ve gotten from my time here, how I’ve changed, Depends on how I’ve tried to change what already existed. Is that all there is, Or is there more? Why does the librarian think I have those books? Why does my counselor give me funny looks? Is there something going on here? Or am I just waiting - Waiting to graduate, Waiting to leave. Why doesn’t everyone speak En¬ glish? Why am I doing this? I go to school in the morning I come home later. There’s really little to do It just never gets done Til Sunday night. Who gives a damn what x equals? Why wasn’t Thoreau born after me? Weekends never last. I have to turn this in tomorrow, Have to practice my horn or Fix my equations that aren’t equal yet. rv w „ ' ' A $ I V V I V I i fX 3 - s COLUMBIAN 7 Check- my name in the upper right hand corner. J ' KC piououd WUULlc, punu- ' ' m u m a MA£ ns -jikcM ' - ticcUu. 6 COLUMBIAN 2 O 0 J WlaA Muo b iuwu p Stufi -PkoAlifi jn,- tsffv, ' luucL, bttutt, LUadustaucUu. Right: Completing a layout for the Colum¬ bian, Liz Sorgen looks forward to the finished product. Center: A quiet pause in the tranguil after¬ noon provides a time to think things over. Will it matter that I was ever here? Left: Richard Wayne and Tommy Davis anx¬ iously watch as they pace the sidelines. Do I see them? When I am gone, Am I seen then, Remembered? Am I seen now? Is there anything of me here? Is there anthing of here in me? I’ve caught glimpses of people, Glimpses of myself, Seen myself change - Have I changed? (Changed myself Or anyone Or anything) I’ll be leaving, Maybe returning, Passing through - Through here, Through life, Through now. What changes does that mean? Changes in me - Changes in others here - Anywhere? Changes in others to come? Do they really see me here? I want to be seen, But would rather not be seen Than be seen poorly, Seen sadly. L 7731 Leesburg Pike Falls Church, Virginia Am I seen? Is it noticed that I am here? I come here every day, For four years it seems I am here. ucHLs oJUOQj £L (yu S mui U ' ol aUxl) Clcu Q Of ' r j i Student Life Curriculum Faces Authority Organizations Patrons Ads 224 232 25 254 Volume XI C. OOUL, dslM 7U l cLtdoCh Clcr j o uMLU xslcJL Ot-h cL- ' JULi j i ) ui )n(Jb-(OL. |§jp£ j|Igw 7 KSfjXnLk, io jl l J ' o Sjul tfjL f-o CXA. MSHW " 51V P, A GUIDE TO THE ADVANCE PLACEMENT ' A, ?S fe. ’WMSfa.v ia - ungs don’t have to get out of hand. (M) (Spe I ull aviation coverage, sporW (Chniques, outstanding phot 1 THE WAY IT IS 0 - 111 II Hill i mm. e honest an children, cultur |pmj?ff| IR PROGRESS. vdy xx ' X r cx n 5 s v 5X v ' ' J " A W ° £ o X- x X - 2 ' ' ' b. CucJtj ' U ■ x cfCcLOD J uoan ' j Ja ark -rua tX ' Xav-t V) ' M 0 f v 3 f, X 1 u J x x ' ? X y fv y V ' ' xtx aa g $j A xx xxxx W ' °n ‘ M a 0 ' C xo, v ![]()
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